Untitled 1 - Ink Jet Transparency Print (Left)
Untitled 2 - Ink Jet Transparency Print (Middle)
Untitled 3 - Ink Jet Transparency Print (Right)
Juliana Isabel’s work seeks to heighten viewer’s perception of everyday objects and surroundings. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. With the use of appropriated materials which are borrowed from a day-to-day context, she presents everyday objects that are altered and detached from their natural function. By applying specific combinations and certain manipulations, different functions and/or contexts are created. By applying abstraction, she tries to develop forms that do not follow logical criteria, but are based only on subjective associations and formal parallels, which invite the viewer to make new personal associations.
Her installation explores the realm of three-dimensional photographic work in order to create a new way of thinking and viewing a usually two-dimensional medium.
Untitled 1 - Ink Jet Transparency Print
Juliana Isabel’s work seeks to heighten viewer’s perception of everyday objects and surroundings. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. With the use of appropriated materials which are borrowed from a day-to-day context, she presents everyday objects that are altered and detached from their natural function. By applying specific combinations and certain manipulations, different functions and/or contexts are created. By applying abstraction, she tries to develop forms that do not follow logical criteria, but are based only on subjective associations and formal parallels, which invite the viewer to make new personal associations.
Her installation explores the realm of three-dimensional photographic work in order to create a new way of thinking and viewing a usually two-dimensional medium.
Untitled 2 - Ink Jet Transparency Print
Juliana Isabel’s work seeks to heighten viewer’s perception of everyday objects and surroundings. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. With the use of appropriated materials which are borrowed from a day-to-day context, she presents everyday objects that are altered and detached from their natural function. By applying specific combinations and certain manipulations, different functions and/or contexts are created. By applying abstraction, she tries to develop forms that do not follow logical criteria, but are based only on subjective associations and formal parallels, which invite the viewer to make new personal associations.
Her installation explores the realm of three-dimensional photographic work in order to create a new way of thinking and viewing a usually two-dimensional medium.
Untitled 3 - Ink Jet Transparency Print
Juliana Isabel’s work seeks to heighten viewer’s perception of everyday objects and surroundings. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. With the use of appropriated materials which are borrowed from a day-to-day context, she presents everyday objects that are altered and detached from their natural function. By applying specific combinations and certain manipulations, different functions and/or contexts are created. By applying abstraction, she tries to develop forms that do not follow logical criteria, but are based only on subjective associations and formal parallels, which invite the viewer to make new personal associations.
Her installation explores the realm of three-dimensional photographic work in order to create a new way of thinking and viewing a usually two-dimensional medium.
Juliana Isabel’s work seeks to heighten viewer’s perception of everyday objects and surroundings. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. With the use of appropriated materials which are borrowed from a day-to-day context, she presents everyday objects that are altered and detached from their natural function. By applying specific combinations and certain manipulations, different functions and/or contexts are created. By applying abstraction, she tries to develop forms that do not follow logical criteria, but are based only on subjective associations and formal parallels, which invite the viewer to make new personal associations.
Her installation explores the realm of three-dimensional photographic work in order to create a new way of thinking and viewing a usually two-dimensional medium.